Alison Fairweather Murray

Alison Fairweather Murray was born in Nova Scotia, moved to England alone at fifteen, and recently returned to Canada after years living in Argentina – where she won the Buenos Aires Tango Championship in 2014. Her formative years straddling high and low culture – crashing in a Brixton squat when not accompanying her aunt to review dance for major publications, or her uncle to critique opera for the Financial Times – encouraged her to play with tension between worlds in her work.  Murray studied dance full time and takes a choreographic approach to filmmaking, which served her well directing large-scale music videos for Sony and Island Records, until she found herself digitally slimming a pop star’s ankles and thought: ‘I didn’t go to film school for this’.

Living across continents, and being raised by a divorced mom in the ‘70s, taught Alison there’s always more than one way to live and more than one side to a story. She’s drawn to moral ambiguity, unconventional characters, underdogs, and outsiders – unafraid to delve into uncomfortable themes, especially when there’s opportunity for humour. Her Masters in Film Direction from the Royal College of Art (where she learned from Mike Leigh, and Terry Gilliam) and undergrad in Performing Arts give her a confident rapport with actors.

Since then, Murray has written and directed films that have screened at TIFF, Sundance Channel, HBO, Channel 4 UK and the BBC, including her first feature Mouth to Mouth starring Oscar nominee Elliot Page (recently re-released by Samuel Goldwyn Films), and the documentary Train on the Brain, which played to 10,000 people on a giant screen at Glastonbury. Her latest film Ariel Back to Buenos Aires won multiple awards and streams on HBO Max Europe and Apple TV/Amazon North America – it was a theatrical hit in Taiwan, where the press agent sent images of stills from the film literally on fire. Murray panicked about boycotts until she learned it meant the film was “hot.”

More recently, Alison picked up the Series Makers prize at Series Mania for her half hour dramedy pitch Chachachá – for which she has teamed up with producers Danny Iron ( Blue Ice ) and Jennifer Weiss ( Nice Picture ) . She is also developing the limited drama series MY LIE, based on the book by Meredith Maran. MY LIE is set against the backdrop of what has been called the worst thing to happen to the mental health space since the lobotomy – the Repressed Memory Movement of 1980s and 90s. 

A new feature film project Murray is developing is DAY OF THE DOG,an organic Canada–Ireland co-production.  In a world of gritty realism infiltrated by gods and legends, a foster care teen and formally-spoke vagrant find family in each other. When the teen girl’s video connects the vagrant with the Irish roots a magical curse tore him from, she must risk losing him, in order to learn that love doesn’t have to end in abandonment.  

View Alison Murray’s director’s reel.

Films

Mouth to Mouth

“Trusting other people will put your
ass in jeopardy every time.”

How Sherry loses her virginity, her illusions and her lip ring in a road trip across Europe. Sherry is searching for a place to belong where she can still be herself. She thinks she has found this in SPARK – Street People Armed with Radical Knowledge. She takes off in SPARK’s camper van as they cross Europe recruiting a membership of the down and out. They arrive at a disused vineyard in Portugal that will be their paradise.Harry, the group’s leader, begins harvesting ripe grapes and ready minds through his own methods of hard work and punishment. The stakes are high within this volatile group. Two deaths ensure the submission of most of the recruits – but not Sherry, or the apparently craziest street person, Mad Ax.

Mad Ax is the least taken in by SPARK’s rhetoric. He is also in love with Sherry. Into this Shangri-la comes Sherry’s mother. Failing to persuade Sherry to leave, she decides that SPARK has more to offer than single parenthood in London. Disillusionment complete, Sherry stands up for what she knows is right, denounces SPARK, and escapes with Mad Ax into the unknown.


Train on the Brain

In what’s been called ‘The definitive train hopping doc’, filmmaker Alison Murray drops out of the rat race, grabs a camera, and hits the rails with some punk kids on a trans-continental freight train hopping adventure. On their odyssey they encounter a cast of hobos and runaways, scallywags and castaways. Amidst run-ins with the law, and surviving the perils of the elements, Alison weaves her narrative film over beautifully shot 8mm film and digital video with an old-time sounding soundtrack by Beck. 

Train On The Brain was originally produced for Channel 4 in the UK by Hellhound and MJW Productions.

Watch the full length film here.

CARNY

 “An intimate, gritty and poetic adventure following the lives of carnies – traveling fairground workers who have abandoned the security of the “real world” for the refuge and variety of the road. Through the eyes of Hairy, the charismatic lesbian cotton-candy seller, we see a world of unlikely Romeos, easy love and fierce friendships that obscure personal hardship and troubled pasts. Often from an underclass that has few options, the carnies struggle with addiction, loneliness, poverty and shattered dreams, finding solace only in the company of their own, who accept them as they are. Some have worked the fairs for more than 50 years, some were born or escaped into it, but all are gripped by the romance of the bright midway lights, lyrically captured captured by director Alison Murray (Mouth to Mouth) in lush interludes of Kodachrome Super 8.” ~ Gisèle Gordon, Hot Docs

A collaboration with photographer Virginia Lee Hunter, based on her book – Carny, Americana on the Midway.

Watch the full movie here.


Caprichosos de San Telmo

A portrait of the working class musicians and dancers of Buenos Aires’ San Telmo neighbourhood, who have channeled the city’s many cultural influences into the street performance called murga.

Every year, a taxi driver named Pichi (Hector Roterio) assembles a group of locals to train for the annual parade. At first glance, they don’t look promising. Sergio has clearly led a hard life and has already lost some of his teeth, but turns out to be a surprisingly fluid dancer. Maria Eva tries to hold down an entry-level job, but she comes alive teaching murga moves to the new girls. Under her watchful eye, they practice the murga’s bigbeat rhythms and its accompanying steps. Murga is a remnant of Argentina’s former African communities, but is now practiced by anyone in the neighborhood who can surrender to its pull.


Watch the full length film here.

Ariel: Back to Buenos Aires

2022 1 hour 36 min
Dramatic Feature Canada/Argentina/ Uruguay

Cepa Cine / Hellhound Productions 
World Sales House of Film 
North American Distributor Level 33

Ariel: Back to Buenos Aires has now picked up several best feature awards, including SAN DIEGO INTERNATIONAL FILM FESTIVAL, ARIZONA INTERNATIONAL FILM FESTIVAL and LATINO FILM MARKET NYC. The movie also won the Jury Prize at the MUMBAI INTERNATIONAL FILM FESTIVAL and Audience Award at WOODS HOLE FILM FESTIVAL, and has played at 20+ festivals worldwide. 

Now streaming in the US and Canada. AVAILABLE ON HBOMAX IN CENTRAL & EASTERN EUROPE.

News

30 Years Later...

Women in the Director’s Chair (WIDC) celebrates its thirtieth anniversary in 2026. The org threw an Alumni Brunch at the Toronto International Film Festival (TIFF) to honour the many participants who have shared in its creative and professional development programs. Alison was part of the inaugural cohort back at Banff in 1997, so she was thrilled to attend the festivities at TIFF. She’s pictured here with WIDC co creator Carol Whiteman.

Alison Shadows on Murdoch Mysteries!

Alison had a great time shadowing director Craig Wallace on set of the iconic series Murdoch Mysteries. 

Murdoch Mysteries is a long running Canadian television drama series currently airing on CBC. Based on novels by Maureen Jennings, it is set in the late 19th and early 20th centuries, and follows Detective William Murdoch, a police detective working in Station House Number 4 in Toronto.

Alison felt the experience gave her insights into episodic drama that she will need to confidently direct in the episodic space when the opportunity arises. Thanks, Craig!

Alison wins at Series Mania!

Alison Murray and producer Jennifer Weiss return from the recent Series Mania industry event in Lille, France as winners of one of three development prizes. The pair won with ‘Chachachá’, an eight-part dramedic half hour which follows a Gen X woman whose sky-high blood pressure forces her to confront how out of touch with herself she has become. “She turns to Latin dancing – not for fun, but for survival – igniting chaos with her family,” the synopsis runs.

“‘Chachachá’ won us over with its light‑hearted, authentic, and sincere tone. It tackles important universal themes of society with humor. We believe this is exactly the kind of story international audiences need right now,”  said Ferdinand Dohna, head of content & co-production at Beta, which partners on SeriesMakers with the Series Mania Institute.  
Read the full Variety story here.

Press

Variety

Alison Murray and producer Jennifer Weiss’ proposed Latin dancing dramedy ‘Chacachá!’ won big Tuesday night (March 23, 2026) at France’s Series Mania, Europe’s biggest TV festival, scooping one of three prizes offered by its biggest industry events. Read the full Variety article here.

“‘Chachachá’ won us over with its light‑hearted, authentic, and sincere tone. It tackles important universal themes of society with humor. We believe this is exactly the kind of story international audiences need right now,”  said Ferdinand Dohna, head of content & co-production at Beta, which partners on SeriesMakers with the Series Mania Institute.

The Hollywood Times

“In the midst of Ariel searching relentlessly for answers of origin, the dance never stops. The film includes the most gorgeous Tango scenes of our time… “

Valerie Milano interviews Alison about Ariel for a recent article in The Hollywood Times.

Read and watch here.

CineVista Blog Article

Fairweather Murray comments: “This film tackles the challenging themes of identity and family secrets, enveloping them with the beauty of Buenos Aires and the sensuality of tango. The story reflects my experiences falling in love with tango. At the heart of this film lies the revelation of truth, both personal and political.”

Read the full article in English and Spanish here.

Contact

Get in touch with Hellhound Productions here.

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